I think my childhood was such a diverse experience—I moved around a lot, different countries, different schools—so it was hard to always say goodbye to friends. I found myself falling in love with animated movies when I was feeling a little down or lonely. Fantasia, for example, or 101 Dalmatians—I just loved the worlds they created. I felt a part of them. In high school, I fell in love with making my own costumes, painting, designing, filming, writing—you name it. I even took part in school plays. I never limited myself creatively. Over time, I think my approach has just matured—it’s more curated now—but I’m still very much in love with the world of the arts and feel completely at home in it.
My last two years of high school, I did Higher Level Art in the International Baccalaureate and won several art awards and competitions. It really felt like I had found my place. I also had the most amazing art teacher—he nurtured my gifts and wrote me incredible recommendation letters that helped me get into every school I applied to, many with scholarships. Those two years were some of my favorites. It's when I truly discovered my passion.
I always knew I wanted a creative job—I just wasn’t entirely sure what that would look like. My experience at university allowed me to explore so many areas, try new things, and learn a variety of skills. I’ve since brought them all together in what I do today.
To be honest, I’ve always drawn in a similar way since high school—long fingers, no eyes, not focusing on the face but more on the surroundings and emotional feel of the characters. Over time, I’ve become more selective with my color palette and more fluid in my movements. My watercolor technique has also improved, but it has always remained very “me.”
Animated movies, film, theatre, costume design, fashion history, the history of women, my own stories, the stories of people I meet—I find inspiration every day from small details I observe.
I love Paris. It’s a city made for artists. It welcomed me with open arms and became my playground. I feel incredibly lucky to be here and so supported by the artistic community. All my friends are some kind of creative—it’s amazing and very inspiring.
It’s always a pinch-me moment when brands you’ve admired and studied for years appreciate your work and trust your vision. It's one of the greatest honors. I love working with them—it pushes me creatively and allows me to interact with others. Being an artist is often solitary, so collaborating like that is a welcome change.
Oh, I have so many! I couldn’t possibly list them all—haha.
One big challenge is being taken seriously. Like in many fields, when you look a certain way, people make assumptions and overlook the time, energy, and talent it takes to do what I do. On the other hand, being able to live off my creativity is incredibly empowering and rewarding.
In Ireland, the earth is celebrated—our mythology, our folklore, the pagan and druidic histories—I connect with that deeply, especially because of my family’s roots. Paris, on the other hand, brings in the theatrics, the revolutions, the fashion. I think I merge both influences to create my own world.
Art helps me process emotions—it’s my release. When I did my first solo show about my journey with endometriosis, I wasn’t thinking about the impact. It was just something I needed to do to heal. But the response was overwhelming—in the best way.
When Vogue wanted to write an article about it, I was over the moon. It helped spread awareness. Once I shared my story, I realized how many girls had experienced the same thing. It made me angry at how common and ignored it is.
Sharing has helped me and others feel less alone—it created a close-knit community.
So important. I think we need more spaces to celebrate creatives across fields—maybe a ceremony for independent artists from all over the world. And we need to understand that there is room for everyone. There’s no need for competition or cruelty.
The most meaningful thing is seeing how many women feel seen and heard. One young girl did her high school art thesis on me. Another traveled four hours to my group show—she said the Vogue article led to her diagnosis and now she’s getting surgery.
Stories like that stay with me. I’ve become the woman I needed when I was younger, and it’s heartwarming to know others feel that way about me too.
Put yourself out there. It’s scary and sometimes feels cringey, but do it anyway—you never know where it might lead. Also, work hard. Passion and talent aren’t enough. Grit, determination, and nurturing your craft are what will help you flourish. Go full speed ahead—it’s an adventure.
I think my childhood was such a diverse experience—I moved around a lot, different countries, different schools—so it was hard to always say goodbye to friends. I found myself falling in love with animated movies when I was feeling a little down or lonely. Fantasia, for example, or 101 Dalmatians—I just loved the worlds they created. I felt a part of them.
In high school, I fell in love with making my own costumes, painting, designing, filming, writing—you name it. I even took part in school plays. I never limited myself creatively. Over time, I think my approach has just matured—it’s more curated now—but I’m still very much in love with the world of the arts and feel completely at home in it.
My last two years of high school, I did Higher Level Art in the International Baccalaureate and won several art awards and competitions. It really felt like I had found my place. I also had the most amazing art teacher—he nurtured my gifts and wrote me incredible recommendation letters that helped me get into every school I applied to, many with scholarships. Those two years were some of my favorites. It's when I truly discovered my passion.
I always knew I wanted a creative job—I just wasn’t entirely sure what that would look like. My experience at university allowed me to explore so many areas, try new things, and learn a variety of skills. I’ve since brought them all together in what I do today.
To be honest, I’ve always drawn in a similar way since high school—long fingers, no eyes, not focusing on the face but more on the surroundings and emotional feel of the characters. Over time, I’ve become more selective with my color palette and more fluid in my movements. My watercolor technique has also improved, but it has always remained very “me.”
Animated movies, film, theatre, costume design, fashion history, the history of women, my own stories, the stories of people I meet—I find inspiration every day from small details I observe.
I love Paris. It’s a city made for artists. It welcomed me with open arms and became my playground. I feel incredibly lucky to be here and so supported by the artistic community. All my friends are some kind of creative—it’s amazing and very inspiring.
It’s always a pinch-me moment when brands you’ve admired and studied for years appreciate your work and trust your vision. It's one of the greatest honors. I love working with them—it pushes me creatively and allows me to interact with others. Being an artist is often solitary, so collaborating like that is a welcome change.
Oh, I have so many! I couldn’t possibly list them all—haha.
In Ireland, the earth is celebrated—our mythology, our folklore, the pagan and druidic histories—I connect with that deeply, especially because of my family’s roots. Paris, on the other hand, brings in the theatrics, the revolutions, the fashion. I think I merge both influences to create my own world.
One big challenge is being taken seriously. Like in many fields, when you look a certain way, people make assumptions and overlook the time, energy, and talent it takes to do what I do. On the other hand, being able to live off my creativity is incredibly empowering and rewarding.
Art helps me process emotions—it’s my release. When I did my first solo show about my journey with endometriosis, I wasn’t thinking about the impact. It was just something I needed to do to heal. But the response was overwhelming—in the best way. When Vogue wanted to write an article about it, I was over the moon. It helped spread awareness. Once I shared my story, I realized how many girls had experienced the same thing. It made me angry at how common and ignored it is. Sharing has helped me and others feel less alone—it created a close-knit community.
The most meaningful thing is seeing how many women feel seen and heard. One young girl did her high school art thesis on me. Another traveled four hours to my group show—she said the Vogue article led to her diagnosis and now she’s getting surgery. Stories like that stay with me. I’ve become the woman I needed when I was younger, and it’s heartwarming to know others feel that way about me too.
So important. I think we need more spaces to celebrate creatives across fields—maybe a ceremony for independent artists from all over the world. And we need to understand that there is room for everyone. There’s no need for competition or cruelty.
My mum—she’s an absolute legend. Also, my sister. And many others for different reasons. I had a therapist in Norway who helped me realize my worth—she was like a guardian angel.
I truly love what I do, so I’m rarely uninspired. But it’s important to take real breaks—actual weeks off, no tools, no emails. Creative work demands a unique kind of energy, and you need to let your creative well refill. If you over-push yourself, you’ll burn out. Set boundaries, explore, rest—then let it flow.
achelle Cunningham is an Irish-born artist and illustrator based in Paris. Her dreamy watercolor works are known for their delicate movement, soft color palettes, and the way they seamlessly blend classical and romantic influences with her Irish heritage. Often inspired by emotion and storytelling, her art has a timeless, almost ethereal quality.
Alongside her creative practice, Rachelle is a strong advocate for women’s health, using her platform to speak openly about living with endometriosis—helping to break the silence around a condition that affects many but is still rarely discussed.
Her work has caught the attention of major fashion houses such as Chanel, Nina Ricci, and Lanvin. She has also collaborated with the Palais Galliera Musée de la Mode in Paris. Through both her art and her voice, Rachelle continues to inspire and connect with women around the world.
I truly love what I do, so I’m rarely uninspired. But it’s important to take real breaks—actual weeks off, no tools, no emails. Creative work demands a unique kind of energy, and you need to let your creative well refill. If you over-push yourself, you’ll burn out. Set boundaries, explore, rest—then let it flow
I’ll be hosting online courses and in-person workshops first—so stay tuned! You can sign up for updates on my website: www.rachellecunningham.com .
So many—haha! You’ll just have to wait and see.
Find Rachelle on Instagram: @rachellecunningham
Put yourself out there. It’s scary and sometimes feels cringey, but do it anyway—you never know where it might lead. Also, work hard. Passion and talent aren’t enough. Grit, determination, and nurturing your craft are what will help you flourish. Go full speed ahead—it’s an adventure.
I’ll be hosting online courses and in-person workshops first—so stay tuned! You can sign up for updates on my website: www.rachellecunningham.com
So many—haha! You’ll just have to wait and see.
Find Rachelle on Instagram: @rachellecunning
A gateway to community of women who value the art of living beautifully.